Showing posts with label unomgcana. Show all posts
Showing posts with label unomgcana. Show all posts

Tuesday, 3 September 2019

Unomgcana.

https://babalorozani.blogspot.com/2019/09/unomgcana.html
Unomgcana: 
Figure 1 - Unomgcana (a newly married man) on his wedding day (reference)

Unomgcana is the last stage of a Xhosa man milestones I will be discussing. This is a married man between the age of 35 - 50 years. It is the stage where he has taken a wife and built a homestead. His main roles are to protect and provide.

I will be looking at his attire which signifies the status of his manhood and the significant role it plays as a married man. Traditionally he would wear a collection of over 75 pieces on his wedding day (see Figure 1), each with a specific name (Broster 1967) eg. Isivalo, idiliza, isiyeye, inkciyo, ithumbu, vulwakabini, isigcina, inqhonqo and umgcebo. Some of these he would wear every day, such as the vulwakabini which has significant colour combinations, tie like with triangular patterns on it and (ingqosha) the big necklace underneath the tie necklace (see figure 2). I want to use these colours and patterns as a reference for designing my own jewellery.


Figure 2 - a married man on his every day look wearing Vulwakabini, the tie necklace and underneath ingqosha necklace.

Wednesday, 28 August 2019

Unomgcana.

Unomgcana: newly married man.






This is Unomgcana (a newly married man.) on his wedding day with his newly wedded wife(umakoti) the man keeps his headband and he is now wearing a long necklace 
Unomgcana is the last stage of a Xhosa man milestones I will be discussing. This a man at an age of 35- 50 years, Unomgcana is a married man, this is a stage where has taken a wife and has built a homestead. His main roles are to protect and provide, he is wearing a collection of over 75 individual pieces of beadwork each piece having a name. (Isivalo, idiliza, isiyeye, inciyo, ithumbu, isigcina, inqhonqo, umgcebo, mgu, vulwakabini, isidlokolo, itema. According to Boaster J (1967: 17,18,19) she highlights that a craft of beadwork has accepted design and motif, the beauty of which is rich in imagination and aesthetic appreciation, meaning not all bead work has rituals or traditional significance, most Xhosa beadwork is worn for its beauty and appreciation. I will be looking at this status of his manhood and the significance of what he is wearing related to his status as a married man.